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Centrum#01, Werner-Hilpert-Denkmal, Eisenbahnerviertel, Eidelstedt, 2023



Centrum#02, HEW-Gebäude, Winterhude, City Nord, 2016



Centrum#03, Mitte I, City Nord, Winterhude, 2016



Centrum#04, Plattenbau I, Eisenbahnerviertel, Eidelstedt, 2023



Centrum#05, Hochhaus I, Eisenbahnerviertel, Eidelstedt, 2023



Centrum#06, Bronze-Relief, Mendelstraße, Lohbrügge, 2023



Centrum#07, Plattenbau II, Eisenbahnerviertel, Eidelstedt, 2023



Centrum#08, Plattenbau III, Friedrich-Frank-Bogen, Bergedorf-West, 2021



Centrum#09, Flutdenkmal, Friedhof Finkenriek, Wilhelmsburg, 2021



Centrum#10, Siedlung Birckholtzweg I, Farmsen-Berne, 2022



Centrum#11, Dreifaltigkeitskirche, Neuen Straße, Harburg, 2023



Centrum#12, Zachäus-Kirche, Käkenflur, Langenhorn, 2023



Centrum#13, Mitte II, City Nord, Winterhude, 2016



Centrum#14, Alter Botanischer Garten, Planten un Blomen, 2020



Centrum#15, Kraniche, Fockenweide, Bergedorf-West, 2021



Centrum#16, Evangelisch-reformierte Kirche, Palmaille, Altona 2020



Centrum#17, Hochhaus II, Amsinckstraße, Hammerbrook, 2020



Centrum#18, Ansgarkirche, Griegstraße, Othmarschen, 2021



Centrum#19, Musikpavillon, Planten Un Blomen, 2016



Centrum#20, Jenfeldcenter I, Rodigallee, Jenfeld, 2020



Centrum#21, Meerjungfrau, Palmaille, Altona, 2020



Centrum#22, Dankeskirche, Süderstraße, Hamm, 2021



Centrum#23, Mineralogie, Grindelallee, Grindel, 2023



Centrum#24, St. Jakobus, Jevenstedter Straße, Lurup, 2021



Centrum#25, Oberpostdirektion, City Nord, Winterhude, 2016



Centrum#26, Kapelle Finkenriek, Wilhelmsburg, 2021



Centrum#27, Relief in Ziegelwand, Museumstraße, Altona



Centrum#28, Korallusviertel, Wilhelmsburg, 2016



Centrum#29, Heilig-Geist Kirche, Rahlstedter Weg, Farmsen, 2023



Centrum#30, Dietrich-Bonhoeffer-Kirche, Greifenberger Straße, Oldenfelde, 2023



Centrum#31, Hochhaus III, Schöneberger Straße, Rahlstedt, 2023



Centrum#32, Wohnanlage Randowstraße, Lurup, 2023



Centrum#33, Betonwand, Freibad Aschberg, Hamm, 2021



Centrum#34, Neu Altona, Louise-Schroeder-Straße, Altona, 2020



Centrum#35, Der Gute Hirte, Rodigallee, Jenfeld, 2020



Centrum#36, Studentenwohnheim Billwiese, Lohbrügge, 2022



Centrum#37, Die Mundsburg, Barmbek-Süd, 2021



Centrum#38, Deichdenkmal, Wilhelmsburg, 2016



Centrum#39, Petrus-Kirche, Winfridweg, Lokstedt, 2017



Centrum#40, Jenfeldcenter II, Grabkeweg, Jenfeld, 2020



Centrum#41, Hauptverwaltung der Deutschen Shell AG, City Nord, Winterhude, 2016



Centrum#42, Kunst am Bau, Hammerbrookstraße, St. Georg, 2020



Centrum#43, Parkhaus, Gundermannstraße, Billstedt, 2021



Centrum#44, Simeonkirche, Sievekingsallee, Hamm, 2021



Centrum#45, Siedlung Birckholtzweg II, Farmsen-Berne, 2022



After the end of the Second World War, the rebuilding of Hamburg was not simply a reconstructing of the historic or still existing building structure. The new German Federal Republic wanted to demonstrate its democratic character and the break with the National Socialism in the architecture and the urban planning. In contrast to the monumental architecture of past centuries and as a return to progressive movements of the Weimar Republic, the individual should be empowered in its personality and in the democratic participation. The buildings should be modern, simple and modestly, and focus on the human individual. The construction materials were steel, glass and, most of all, concrete. The so-called post-war modernism includes the years 1945 to 1975 and is one of the most important parts of the modernism of the 20th century. For decades, it dominated the cityscape of many (West) German cities, including Hamburg. But today, the architecture often looks cold, strange and uncommon. The reason for that is, that the aesthetic and social concepts behind this architecture are not recognizable by its image. From today‘s view, these buildings are also symbols of a post-war West Germany that was characterized by a de-Nazification that was often not taken too seriously, and a social situation that was largely conservative and petty-bourgeois. The urban planning concepts of this time, like that of the „car-friendly city“ and the urban separation of work and living, can be seen as failed and are definitely oppressive in view of the current discussions about the climate change. The photographic documentation creates a visualization of the hidden beauty and historical relevance of the need to protect these buildings. At the same time, it is intended to establish an acknowledgement of this former period of German (building) history. The photographic process of collecting the ordinary will show the structures and sensitive contexts of this building era and our society and makes the act of photographing to an act of visualizing the architecture of post-war modernism in the urban space.